Showing posts with label SFF. Show all posts
Showing posts with label SFF. Show all posts

Wednesday, 14 April 2010

Are bookstores killing themselves?

There is an excellent article in the Guardian bookblogs section on this year's Hugo Award nominations "Hugo awards 2010: the shortlist"
China MiƩville excepted, the finalists for this year's best SF novel have one thing in common: mainstream invisibility
Sadly this statement is very true. Where are the displays containing the 6 shortlisted books in mainstream bookstores? Most booksellers highlight mainstream awards such as the Man Booker or Orange Prize for Fiction with a showcase of the nominees. Even the Richard and Judy Book Club (now The TV Book Club on Channel 4) gets pride of place positioning in Waterstones and WHSmiths. Sadly, with the demise of Borders, the mainstream has a stranglehold on book selling in the UK, leaving little room for 'outsiders' such as the Hugo Awards or the Arthur C Clarke's. Is this symptomatic of the disdain in which Science Fiction and Fantasy, as a genre, is held? Probably, yet, given the slightly obsessive book-buying nature of many SFF fans, are the big UK chains losing a potentially lucrative market by ignoring major genre awards?

Well, if I am indicative of an average SFF fan, the answer is a resounding YES! I spend most of my monthly book-buying budget online now. I can't remember the last time I ventured into my local Waterstones, mainly because whoever is in charge of the SFF section just does not appear to know the genre particularly well. The table-top display is OK, but if I understand correctly [see Mark Charan Newton's blog for more discussion on book selling techniques], this space is paid for by publishers wanting to promote their latest releases. The shelving, on the other hand, tends to be a mixture of TV tie-ins, urban fantasy, paranormal romance and 'standards' such as Pratchett, Rankin, Jordan, Eddings and Gemmell. Very similar to what WHSmiths offer in their larger stores. No innovative or cutting-edge titles to be seen. Not even any China MiƩville...

I choose to shop online because of the range of authors and titles available to me. They make it easy to click and buy, the wishlist facility is a very useful tool, and customer reviews, lists and recommendations etc. are really helpful. And the books arrive quickly, without the strain of carrying them home yourself! But I miss browsing in a bookstore... the thrill of spotting an intriguing title or enticing cover and physically picking the book up to find out more. It is not the same online. More convenient, I agree, but soulless.

Personally speaking, I miss the local independent bookshops. Even Borders was an improvement on the WHSmiths/Waterstones monopoly, as at least their staff were interested in the sections they managed. Sadly, my local Waterstones have lost their once excellent and informed staff, to be replaced by shop assistants who 'might read a bit'. I may be doing them a disservice here, but hey, they lost my business some time ago. If I want some trashy pulp, mainstream bestsellers or even literary fiction, then I'll go to my local charity shop as there is plenty of choice and the occasional gem can be found hidden amongst the Nora Roberts and Dan Brown. However, if I'm after the latest Chris Wooding or Jacqueline Carey I will just boot up my netbook and click my way to my electronic shopping basket. And often as not, 2 or 3 other books will accompany them, as one site in particular is rather good at presenting you titles that compliment those you have just purchased. You gotta love their algorithms!

It is the range of titles available online that appeals to me. In the evening I can read a review on a blog, check online and have the book waiting on my doorstep by the time I get home from work the following day. Bookstores, of course, cannot physically stock the same amount of books as an online store, but they could improve their ordering and online services. They could also return to a branch-based stock policy rather than a centralised distribution system that ignores regional variations and local culture.

Waterstones, when it first started, was a pleasure to shop in. Their large store in Kingston was a haven in the madness of the Bentall Centre on a Saturday afternoon... and they had a huge SFF section! But over the years the section shrank and became full of 'standards'. The offbeat and unusual books were out and tie-ins became the norm. I checked out the new Borders when it opened and was impressed that they had researched the local area and had a huge Manga section - there is a large South Korean community in the Kingston area and the kids love their Manga, it was always busy. Waterstones had, by this time, become more 'corporate' and lost out on this high-spending customer base by not being in tune with their local customers.

So, are bookstores killing themselves? I really hope not. There is something very soothing about mooching around a well stocked SFF section, where new authors are promoted via staff reviews and the stock has been selected by someone who actually knows the genre. It's not that difficult, but I fear that the 'hard-core' book buyer (and I include myself in this group) has long gone to the vast emporium that is online. With the advent of eBooks and the iPad/iBooks physical bookstores are further under threat. Will the big chains stop and re-evaluate their business model in a fight to survive? Or are we watching the death throes of the hidebound bookstore chains?

Saturday, 10 April 2010

Eastercon, Odyssey 2010 - or Murf's big day out!

61st BNSF Convention, Heathrow, London 2 – 5 April 2010

Saturday 3rd April 2010: First I must admit I had never been to a convention before and was slightly nervous as I approached the hotel near Heathrow airport. I need not have worried as I was immediately greeted by a group of fellow bloggers and tweeters in the foyer. It was at this point, at the start of the day, where I was introduced to Mark Charan Newton and the man next to him, Joe. This turned out to be Joe Abercrombie of Before They Are Hanged fame, and to my later embarrassment I did not recognise him at all. Introductions over, I collected my day pass and was handed a goodie bag. Now that was a pleasant surprise! Along with a mug, pen and assorted bumf, was a free book; D.B.Shan’s Procession of the Dead, no less, his first foray into adult fiction.

Then it was off to the first panel discussion: “Female Superheroes – WhyAren’t There More of Them?” It was a shame this was scheduled so early (9am) as there were few people present. A larger audience would have provided more debate and possibly challenged the panellists. These included Sam Sykes, author of the forthcoming fantasy adventure Tome of the Undergates and Paul Cornell, double Hugo Award nominee and future Guest of Honour at Eastercon 2012, alongside Esther Friesner and Roz Kaveney. I am not a comic/graphic novel fan, and while some salient points were made about how the genre is improving, I was not really convinced that the negative female stereotypes no longer predominate…

Panel over, it was off to the treasure trove that is the Dealer’s room. Books, books, shiny silver trinkets and more books! In amongst the stalls were some amazing and friendly people. I spoke to Jaine Fenn, author of Principles of Angels and Consorts of Heaven, about how I am eagerly anticipating the release of the third in the Hidden Empire series in September 2010. I was introduced to Aliette de Bodard, who wrote Servant of the Underworld (which I reviewed here), by Lee Harris of Angry Robot Books, currently the hottest book imprint in the UK at the moment.

And I chatted about which Doctor Who was the best with Rob Shearman, who wrote “Daleks” for the Christopher Eccleston Doctor (my own favourite was Jon Pertwee, closely followed by Colin Baker). He was at the British Science Fiction stall with a group of guys who persuaded me to buy 2 short story collections after we all agreed that K9 was a mistake! The collections are both edited by Ian Whates; Celebration, including stories from Stephen Baxter, Jon Courtenay Grimwood and Alastair Reynolds; the other is Myth – Understandings, a collection of stories by women including Storm Constantine, Sarah Pinborough and Gwyneth Jones. Other books I picked up throughout the day, as I just couldn’t resist popping back to the Dealers room, were The Name of the Wind by Patrick Rothfuss, Bone Song by John Meaney, Slights by Kaaron Warren and The Wild Wood by Charles de Lint.

The afternoon panels I attended were both internet related. The first was "Writers and the Web" and the panellists were Joe Abercrombie, Mark Charan Newton, John Meaney and Maura McHugh. This was a lively debate where the power of the web to promote both authors and books was discussed. The role of book bloggers in particular was highlighted alongside the ability of the internet to bring authors closer to their readership through their personal websites.

The third and last panel was "Bridging the Gap: SF/F and Social Media". It was recorded and broadcast as #livecon and the panellists were Paul Cornell, Loudmouthman, and David Devereaux and chaired by the excellent Danie Ware from Forbidden Planet. Twitter was particularly relevant to the debate as it transpired that around 70% of the people in the room were actively tweeting throughout.

When not at panels or browsing the bookstalls, a group of book bloggers held court in the Polo Lounge bar. This, for me, was the best part of the whole experience. I had arranged to link up with two fellow convention novices: Amanda from Floor to Ceiling Books and Jason from Kamvision [left]. Having conversed via Twitter for a while, it was great to meet them in person. They are part of the team behind the very useful new resource Scrying the Fantastic, which posts “forthcoming releases in the field of speculative fiction”, and they are both very passionate and knowledgeable about books! As were Adrian (@Figures) and Adam (@Ghostfinder) [below right] with whom I had some fascinating discussions. I also got to meet @Nextread at last, Gav being one of the first people I ‘met’ on Twitter and through his Nextread website I discovered the world of book blogging.

The biggest revelation to me, as a convention novice, was how approachable and friendly the authors were. I was in awe at the breadth of talent contained within one hotel. While I admit I did not recognise many faces other than those I have encountered through Twitter, my wishlist has suddenly lengthened as a direct result of meeting so many gifted and interesting writers. It’s not everyday you find yourself discussing Java in a bar with Tony Ballantyne, or admiring Alex Bell’s new shoes!

Having time to reflect on the bus home, I found myself admiring a friendly and open community, filled with intelligent and thoughtful people, all with a shared love of books and speculative fiction. For me, Eastercon opened my eyes to a whole new world, one where I can indulge my reading habits and have discussions on the merits, or lack thereof, of Stephen Donaldson’s Thomas Covenant character. I have caught the convention bug…I’ll be back!

Monday, 29 March 2010

The Joy of the Omnibus

[First posted 21 March 2010]

There is little more pleasure in the world than settling down in a comfortable setting (a hammock on a tropical beach is ideal), with plenty of on hand sustenance (chocolate, salted pistachios or trail mix...), drink of choice and an omnibus edition of a favourite author. This is a format I hope will increase in popularity as it is a great way to read a trilogy. No more waiting for the author to complete the last book in the series; perfect for a range of speculative fiction. Win/win.

One of my favourite authors is Mark Chadbourn. I discovered his "Age of Misrule" trilogy when browsing through my local Waterstones 2 or 3 years ago. I had never heard of him nor seen any reviews of his book, but was reeled in by the first line of the blurb
All over the country, the ancient gods of Celtic mythology are returning to the land from which they were banished millennia ago.
What followed was 1350 pages of modern fantasy at it's finest. With white-knuckle action interspersed with passion, betrayal, tragedy and despair, the entire trilogy was a blast of fresh air into my stale reading life. With the Brothers and Sisters of Dragons I travelled the length and breadth of Britain, through the lands of the Tuatha de Danaan to a dramatic conclusion that spoke of much more to come. The Age of Misrule is the first of 3 trilogies by Mark Chadbourn, The Dark Age and Kingdom of the Serpent completing the set. He released The Silver Skull, the first of an Elizabethan trilogy in November 2009.

I found another favourite author in 2005 by way of an omnibus edition of the first 3 books in her Black Jewels series. Anne Bishop has created a three-tier world populated with different races... the long-lived Hayllians, Eyrians; dark magic, demon-dead, witches, and of course, The Blood. The darker the jewel, the more powerful the magic the holder possesses.
Ancient prophecies have foretold the coming of a powerful witch, one who would in reality be not a mere human female but "dreams made flesh," nothing short of Witch herself.
This is adult fantasy, exploring the evil of sexual abuse is not usual fantasy fare, however, it is very sensitively handled here. And in a society where women are the ruling Queens and men of The Blood serve, there is no shortage of violence, revenge and corruption. Jaenelle is the focus of the trilogy and is a sympathetic and well constructed character. I am currently reading number 7 in the series, Shalador's Lady, and am still not tiring of Anne Bishop's Black Jewels world.

At last Anne Rice's The Vampire Chronicles is released in omnibus format and it is in my shopping basket as an easter treat to myself. Less calories than a Lindt Lindor easter egg too! I first read Interview with a Vampire in the early 80's, during my Goth phase, and both loved and loathed Lestat in equal measures. I read all her subsequent novels too, my favourites being Queen of the Damned and The Witching Hour. The first line of Queen of the Damned sums up the central character
I'm the Vampire Lestat. Remember me? The vampire who became a super rock star, the one who wrote the autobiography? The one with the blond hair and the blue eyes, and the insatiable desire for visibility and fame? You remember.
Some of Anne Rice's best writing is contained within The Vampire Chronicles and she brought fresh blood to an ailing horror standard. Anyone who likes Twilight should read this... real vampires are NOT vegetarian. They are devious, totally self-centred and morally corrupt, as befits the legend handed down from Bram Stoker.

So *publishers take note* an omnibus edition could be a way to revitalise a back catalogue. The SF and Fantasy Masterworks series were lovely and worth collecting, but many of those books are available in several reprints. Let's face it, your target audience has got most of them anyway, so why not look back on what you have in single book format and create an omnibus edition series or imprint? A few suggestions off the top of my head that I think would be suitable for publishing as an omnibus are:
  • Kim Stanley Robinson - Forty Signs of Rain, Fifty Degrees Below, Sixty Days of Counting
  • Raymond E. Feist & Janny Wurts - The Empire trilogy (Servant of the Empire, Daughter of the Empire, Mistress of the Empire)
  • Faith Hunter - Rogue Mage novels (Bloodring, Seraphs, Host)
  • Anne Bishop - Tir Alainn series (The Pillars of the World, The Shadows and the Light, The House of Gaian)
  • Maria V. Snyder - The Study trilogy (Poison Study, Magic Study, Fire Study)
Thanks to Victoria Rogers for giving me the idea for this post... omnibus editions are the way to go.

Books and Me!

[Posted 28 February 2010]

I always carry a book with me wherever I go. You never know when you might need one! On the tube, waiting around, eating lunch in the park (weather permitting)... there are opportunities to read everywhere. And I like to make the most of any opportunities that arise.

So when did this reading habit begin? To be honest, I cannot remember NOT reading by myself. I was a competent reader before I started school, and, much to the dismay of the teacher, was unwilling to accept books with large pictures and only 4 or 5 words per page. Janet & John did not go down well with me - I preferred mythical heroes and dark fairy stories! I think I read the entire set of Andrew Lang's Fairy Books before the age of 8 or 9 and Celtic, Norse or Greek myths were also firm favourites. Then I discovered Narnia... a life-long love of Fantasy was born.

Through my teens I read Anne McCaffrey: The Ship Who Sang, the Pern novels and the Talents series. A firm favourite was Z for Zachariah by Robert O'Brien, through which I discovered post-apocalyptic fiction. Granted I also had an Enid Blyton and Elinor M. Brent-Dyer boarding school phase, but given I grew up in Northern Ireland during the troubles, that was a fantasy world too! Many of the books I read back then were considered 'boy's books' and so I had 'issues' with most of the books selected for study at school. Some, like To Kill A Mockingbird and The Diary of Anne Frank became firm favourites but the majority I can barely remember what they were.

The one area where my convent education has fallen down is with regard to classic literature. The set texts chosen for O Level English Literature included 'Villette' by Charlotte Bronte, 'The Trumpet Major' by Thomas Hardy and Shakespeare's 'The Taming of the Shrew'. I hated them all and got a grade U (unclassified) for slagging them off in the exam! The net result being that now I avoid 'classic' literature wherever possible... no, I haven't read Pride and Prejudice, Wuthering Heights or Tess of the D'Urbervilles. The TV series versions suit me just fine! And I don't feel like I am missing out either... overly descriptive writing getting in the way of a good story, in my view.

It was at college that I was introduced to science fiction proper. I was reading a lot of Stephen King, James Herbert and Clive Barker at the time, when a boyfriend gave me a copy of Stranger in a Strange Land by Robert A Heinlein, mainly because I was a massive U2 fan, and the title was a favourite track on the October album. I loved it, and still have that original copy today. Aldous Huxley's Brave New World, Margaret Atwood's A Handmaid's Tale and The Day of the Triffids by John Wyndham soon followed. These books could be considered dystopian fantasy rather than sci-fi per se, and this is the direction I have followed ever since. I don't like 'hard' sci-fi with overly complex technology or space battles. I didn't get on with Larry Niven's Ringworld or The Forever War by Joe Haldeman. Cyberpunk passed me by in favour of more feminist writers like Ursula Le Guin, Sherry Tepper, and Octavia Butler. I chose to read Marion Zimmer Bradley, Joan D Vinge and Katherine Kerr over Neal Stephenson, Iain M Banks or William Gibson. And these trends continue today.

While I admit to a preference for female authors such as Jacqueline Carey and Anne Bishop (and a guilty love of urban fantasy and paranormal romance!), there are new male writers coming through today that appeal to me and my taste in reading. Mark Chadbourn's Age of Misrule trilogy and Chris Wooding's The Braided Path are two fairly recent examples. Towards the end of 2009 I read Mark Charon Newton's Nights of Villjamur, it being highly recommended by various book bloggers (and the author himself!) who I 'met' through Twitter. This, combined with meeting lots of similar 'book people' on Twitter, has opened a new world of up and coming writers of quality fantasy for me. A new publishing house, Angry Robot Books, has released a wave of new talent in the world of speculative fiction and horror.

I have a TBR pile that currently has some 50 books in it, plus a list of pre-orders on amazon that would scare my bank manager! New male authors like Blake Charlton, Sam Sykes, and Stephen Deas are battling for shelfspace with new female writers such as Kaaron Warren, Aliette de Bodard and N.K. Jeminsin. I no longer wander round the Kingston branch of Waterstones (huge SFF section!) selecting books on the basis of the blurb on the back cover, but instead am more informed by reading book blogs written by friendly people who share my tastes. Sadly it is all too easy to use the "One-Day 1- Click" button on amazon and find the book(s) discussed on Twitter on my doorstep when I get home from work the next day!

Some great book review blogs (in no particular order)

My Top 40 Female SFF Writers

[First posted 14 February 2010]

Never being one to shy away from a challenge, I have responded to @hagelrat's suggestion that I make my own list by creating this... My Top 40 Female SFF Writers!
This is a personal list, based on books and authors I have encountered over the years (yes, I have read every one listed here) and is not a comprehensive list of female authors in the SFF genre. There may be what some consider to be 'glaring omissions', but this is MY list. If a particular author is not included it is for 2 reasons:
  • I have never read any of her books e.g. Carol Berg
  • I have read at least one of her books but didn't enjoy it e.g. Robin Hobbs
Of course there are some real favourites in there, authors that I would read every word they ever committed to paper. Jacqueline Carey and Anne Bishop fit in that category, Sherri Tepper and Anne Rice to a lesser extent. Some new authors are included too; Kaaron Warren, N K Jemisin and Aliette de Bodard are 3 writers I have discovered in the last 2 months and are worthy of inclusion. Others are what I consider 'comfort' reads... I know exactly what to expect but enjoy the worldbuilding or lead characters e.g. Kelley Armstrong, Sherrilyn Kenyon or Michelle Sagara.
So, here it is, in no particular order: 

My Top 40 Female SFF Writers 

1. Sherri Tepper – Grass
2. Jacqueline Carey – Kushiel’s Dart
3. Anne Bishop – The Black Jewels trilogy (one volume)
4. Anne Rice – The Mayfair Witches
5. Octavia Butler – The Parable of the Sower
6. Marian Zimmer Bradley – The Mists of Avalon
7. Katherine Kerr – Palace
8. Joan D Vinge – The Snow Queen
9. Ursula le Guin – The Left Hand of Darkness
10. Kaaron Warren – Walking the Tree
11. Jaine Fenn – Principles of Angels
12. Margaret Atwood – A Handmaid’s Tale
13. Elizabeth Moon – The Speed of Dark
14. Angela Carter – Nights at the Circus
15. Storm Constantine – Storm for the Sacred
16. Anne McCaffrey – The Ship Who Sang
17. Catherynne M Valente – Palimpsest
18. Juliet Marillier – Daughter of the Forest
19. Sara Douglass – Battleaxe
20. Connie Willis – Doomsday Book
21. Tanith Lee – The Secret Books of Paradys
22. Nancy Kress – Beggars in Spain
23. N.K.Jemisin – The Hundred Thousand Kingdoms
24. Karen Miller – Empress
25. Jennifer Fallon – Medalon
26. Sherrilyn Kenyon – Acheron
27. Mary Doria Russell – The Sparrow
28. Starhawk – The Spiral Dance
29. Maria V Snyder – Poison Study
30. Julian May – The Many-coloured Land
31. Faith Hunter – Bloodring
32. P D James – Children of Men
33. Michelle Sagara – Cast in Secret
34. Aliette de Bodard – Servant of the Underworld
35. Alex Bell – The Ninth Circle
36. Elizabeth Haydon – Prophecy
37. Celia Friedman – Black Sun Rising
38. Wendy Alec – The Fall of Lucifer
39. Kelley Armstrong – Bitten
40. Justina Robson – Living Next Door to the God of Love

What do you think? Have I missed any you consider to be conspicuous by their absence? Feel free to comment, but remember, this is my own personal selection! I am, however, very open to suggestions for new authors to try...

NextRead and Hagelrat's Top 50 SFF Book List: my response...

[First posted 14 February 2010] 

Today @nextread and @hagelrat posted their combined list of Top 50 SFF reads: see the full list on either Unbound! or NextRead blogs... and a very eclectic list it is too! Both classics and very recent books are included and the list covers pretty much every SFF sub-genre and then some. What came as a surprise to me was the number [15] that I had never heard of before... could they be children's or YA? I tend to skip that section when looking for a new read, so maybe I should pay more attention there!  

An even bigger shock came when I counted the number I had read myself... 19. Only 19 out of 50!!?? I have some serious catching up to do and lots more books to add to my amazon wishlist. So I began thinking... what are my Top favourites from the list? How many do I own but haven't read yet? What have I started but abandoned? 

Let us deal with my Top 10 from Hagelrat and Nextread's list... in no particular order:  

1. Queen of the Damned - Anne Rice  
2. Farenheit 451 - Ray Bradbury  
3. Hitch Hiker's Guide to the Galaxy - Douglas Adams
4. World's End - Mark Chadbourn  
5. Nights of Villjamur - Mark Charan Newton  
6. The Hobbit - J.R.R.Tolkien  
7. Bitten - Kelley Armstrong  
8. A Bloody Chamber - Angela Carter  
9. Dracula - Bram Stoker   
10. Mythago Wood - Robert Holdstock  

There are a few books listed that are in my TBR pile, namely:  

1. Spanky - Christopher Fowler  
2. Dead Witch Walking - Kim Harrison  
3. Blood Ties - Pamela Freeman  
4. A Madness of Angels - Kate Griffin  
5. Midnight Never Come - Marie Brennan  
6. The World House - Guy Adams  

And some I've started but put aside for various reasons... (must go back to these!)  

1. Seeds of Earth - Michael Cobley
2. Under the Dome - Stephen King 
3. Greywalker - Kat Richardson  

Overall, I was genuinely intrigued by this list. I have read a number of reviews by both Next Read and Hagelrat, so know that I have broadly similar tastes to them. I now have several new authors to investigate, some books to revisit and others to be read for the first time. My ever-growing TBR pile needs to be re-ordered! I think I am getting to like this list business, maybe I should create my own list of Top 50 SFF reads? Now there's a thought...